SECTION DISPARUE 6

Concept art, animation, movie posters. And stuff.
venusmilk:

Homère. Nausikaa: traduction de Leconte de Lisle.
Illustrations by Gaston de Latenay.
H. Piazza, Paris, 1899.
(source)

venusmilk:

Homère. Nausikaa: traduction de Leconte de Lisle.

Illustrations by Gaston de Latenay.

H. Piazza, Paris, 1899.

(source)

(via mementomoriiv)

adventuretime:

If you’re going to read just one wonderful Adventure Time write-up today (and you should), make it this one by Maria Bustillos. In it, she talks with the key creative gang of Pen, Adam, Pat, Kent, Rebecca, Nick, and Jack, making for a fairly definitive overview of the series. Read it here. Thanks, Maria!

The resolution of each eleven-minute episode is anything but tidily triumphant; each one is as likely to end on a question or a joke as on an answer. Yet one comes away satisfied, a little bit the way one might at a David Lynch movie. The narrative is endlessly malleable, and includes all the possibilities granted by the existence of wizards and magical creatures, time travel, and a huge, ever-evolving cast. It’s a canvas and a story big enough for dozens of artists to make their own way. Even the drawing style is inconsistent, handmade-feeling; longtime fans may learn to detect the hand or voice of a favorite storyboard artist or writer. The goal of the show seems to be exploration, not uniformity.

adventuretime:

If you’re going to read just one wonderful Adventure Time write-up today (and you should), make it this one by Maria Bustillos. In it, she talks with the key creative gang of Pen, Adam, Pat, Kent, Rebecca, Nick, and Jack, making for a fairly definitive overview of the series. Read it here. Thanks, Maria!

The resolution of each eleven-minute episode is anything but tidily triumphant; each one is as likely to end on a question or a joke as on an answer. Yet one comes away satisfied, a little bit the way one might at a David Lynch movie. The narrative is endlessly malleable, and includes all the possibilities granted by the existence of wizards and magical creatures, time travel, and a huge, ever-evolving cast. It’s a canvas and a story big enough for dozens of artists to make their own way. Even the drawing style is inconsistent, handmade-feeling; longtime fans may learn to detect the hand or voice of a favorite storyboard artist or writer. The goal of the show seems to be exploration, not uniformity.

(via finn-theheroguy)

hawkeyebrows:

Model sheets for a script I’m storyboarding. 

katie-scott:

Illustrations done in collaboration with Amsterdam Worldwide for Scalpel, a Pernod Ricard publication.

katie-scott:

Illustrations done in collaboration with Amsterdam Worldwide for Scalpel, a Pernod Ricard publication.

katie-scott:

Illustrations done in collaboration with Amsterdam Worldwide for Scalpel, a Pernod Ricard publication.

katie-scott:

Illustrations done in collaboration with Amsterdam Worldwide for Scalpel, a Pernod Ricard publication.

hawkeyebrows:

Model sheets for a personal project.

In the Kitchen With Hannibal: Trailer

hunk

2 weeks ago

nevver:

How To Negotiate With People Around The World

I thought this was satire at first.

(Source: swiss-miss.com)

hawkeyebrows:

Veiled lady

hawkeyebrows:

Veiled lady

Jumping Fences-Olivia Tremor Control

Too much wine

3 weeks ago - 1
naomiwilkinson:

These three designs are now available in to buy as posters in my etsy shop!  And I’m offering a 15% discount on all orders till the 25th of March! Just use the code ”SPRINGTIME” 

gawd these are adorable

naomiwilkinson:

These three designs are now available in to buy as posters in my etsy shop!  And I’m offering a 15% discount on all orders till the 25th of March! Just use the code ”SPRINGTIME” 

gawd these are adorable

hawkeyebrows:

Farah Fawcett hair, snaggleteeth. Babe.

hawkeyebrows:

Farah Fawcett hair, snaggleteeth. Babe.

(Source: hawkeyebrows)

(Source: hawkeyebrows)

millionfish:

smo-chi:

2 months ago - 49329